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Showing at the University of Adelaideā€™s Scott Theatre from Thursday 24 April to Sunday 27 April, this vibrant reimagining, directed by guest artist Miranda Middleton, features the third-year Music Theatre cohort ā€“ the graduating class of 2025.

Middletonā€™s vision transforms the traditional fairytale forest into an Australian dreamscape, drawing on the aesthetics of iconic local music festivals.

ā€œOur unique spin on Sondheimā€™s masterpiece is set in a nostalgic Australian suburbia ā€“ when hills hoists and double denim were king, and smartphones didnā€™t exist,ā€ Middleton says.

ā€œWhen our characters venture ā€˜into the woodsā€™, the design aesthetic evokes the magic of great Aussie music festivals ā€“ think Splendour in the Grass, Lost Paradise, Woodford Folk Festivalā€¦ mystical places in their own right, where anything can happen under a bit of moonlight and eco-glitter.ā€

Into the Woods offers a modern take on classic fairytales, intertwining familiar characters from the Brothers Grimm ā€“ Cinderella, Jack and the Beanstalk, Little Red Riding Hood and Rapunzel ā€“ as they each chase a wish. But this story doesnā€™t end in a simple ā€œhappily ever after.ā€ Actions have consequences and the characters must reckon with the results of their choices exploring deeper themes of morality, love, loss and responsibility.

Actor and third-year Bachelor of Music Theatre student Sophie Carmody, who plays Little Red Riding Hood, says the process of working on this reimagined production has been incredibly rewarding.

ā€œItā€™s very rare that you get the opportunity to take a classic work and challenge the status quo. Itā€™s exciting as a performer to play, invent and reinterpret the work,ā€ Carmody says.

ā€œIā€™ve loved collaborating with our supportive and talented creative team, as well as my spectacular cohort. Iā€™m thrilled to share this production with audiences.ā€

Music Director ā€“ University of Adelaide lecturer Peter Johns ā€“ and the 13-piece orchestra bring the complex score to life, honouring Sondheimā€™s meticulous musicianship and lyricism. The intricate lyrics, rich orchestral ostinatos and melodic motifs enhance storytelling, character development and emotional depth.

Ellie Esdene McMahon, who plays the Bakerā€™s wife, says the production offers space to reflect on the state of the modern world.

ā€œI hope this production encourages audiences to see Into the Woods through a fresh lens ā€“ one that emphasises the impact we can have as a community,ā€ McMahon says.

ā€œOur interpretation highlights the complexities of navigating global issues, and the consequences of both our individual and collective actions. It underscores themes of choice, agency and responsibility for the world we live in.ā€

When: Thursday 24 April ā€“ Sunday 27 April 2025

Where: Scott Theatre, Kintore Avenue, North Terrace campus, The University of Adelaide.

Find out more about the event on the University of Adelaide and book your tickets .

This production is licensed by Music Theatre International (Australasia)